{"title":"Horror Magazines","description":null,"products":[{"product_id":"movie-monsters-4","title":"Movie Monsters #4","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eArticles on horror films illustrated with movie stills, similar to Famous Monsters of Filmland. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Flash Gordon movie serials; the films of Lon Chaney Jr.; the legend of the Loch Ness Monster; the original movie version of The Thing. Part of the short-lived Atlas line from former Marvel publisher Martin Goodman. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFinal issue of the series. Cover by George Torjussen.\u003c\/span\u003e\u003c\/p\u003e","brand":"Rumorbooks","offers":[{"title":"Default Title","offer_id":39879397834829,"sku":"","price":15.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/7882\/1709\/products\/Photo1-10-22_30716pm.jpg?v=1664604982"},{"product_id":"famous-monsters-of-filmland-45","title":"Famous Monsters of Filmland 45","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eFamous Monsters of Filmland\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewas originally conceived as a one-shot publication by Warren and Ackerman, published in the wake of the widespread success of the\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Shock_Theater\" title=\"Shock Theater\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Shock_Theater\"\u003eShock Theater\u003c\/a\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003epackage of old horror movies syndicated to American television in 1957.\u003csup id=\"cite_ref-1\" class=\"reference\" data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Famous_Monsters_of_Filmland#cite_note-1\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Famous_Monsters_of_Filmland#cite_note-1\"\u003e[1]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eBut the first issue, published in February 1958, was so successful that it required a second printing to fulfill public demand. Its future as part of American culture was immediately obvious to both men. The success prompted spinoff magazines such as\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Spacemen_(magazine)\u0026amp;action=edit\u0026amp;redlink=1\" class=\"new\" title=\"Spacemen (magazine) (page does not exist)\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Spacemen_(magazine)\u0026amp;action=edit\u0026amp;redlink=1\"\u003eSpacemen\u003c\/a\u003e\u003c\/i\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Favorite_Westerns_of_Filmland\u0026amp;action=edit\u0026amp;redlink=1\" class=\"new\" title=\"Favorite Westerns of Filmland (page does not exist)\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Favorite_Westerns_of_Filmland\u0026amp;action=edit\u0026amp;redlink=1\"\u003eFavorite Westerns of Filmland\u003c\/a\u003e\u003c\/i\u003e\/Wildest Westerns,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Screen_Thrills_Illustrated\u0026amp;action=edit\u0026amp;redlink=1\" class=\"new\" title=\"Screen Thrills Illustrated (page does not exist)\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Screen_Thrills_Illustrated\u0026amp;action=edit\u0026amp;redlink=1\"\u003eScreen Thrills Illustrated\u003c\/a\u003e\u003c\/i\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Creepy_(magazine)\" title=\"Creepy (magazine)\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Creepy_(magazine)\"\u003eCreepy\u003c\/a\u003e\u003c\/i\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Eerie\" title=\"Eerie\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Eerie\"\u003eEerie\u003c\/a\u003e\u003c\/i\u003e, and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Vampirella\" title=\"Vampirella\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Vampirella\"\u003eVampirella\u003c\/a\u003e\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eFM\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eoffered brief articles, well-illustrated with publicity stills and graphic artwork, on horror movies from the silent era to the current date of publication, their stars and filmmakers. Warren and Ackerman decided to aim the text at late pre-adolescents and young teenagers.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn the pages of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eFM\u003c\/i\u003e, Forrest J Ackerman promoted the memory of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Lon_Chaney_Sr.\" class=\"mw-redirect\" title=\"Lon Chaney Sr.\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Lon_Chaney_Sr.\"\u003eLon Chaney Sr.\u003c\/a\u003e, whose silent works were mostly beyond the accessibility of fans for most of the magazine's life, but were a great influence on his own childhood. He also introduced film fans to\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Science_fiction_fandom\" title=\"Science fiction fandom\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Science_fiction_fandom\"\u003escience fiction fandom\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ethrough direct references, first-person experiences, and adoption of fandom terms and customs. The magazine regularly published photos from\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/King_Kong_(1933_film)\" title=\"King Kong (1933 film)\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/King_Kong_(1933_film)\"\u003eKing Kong\u003c\/a\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(1933), including one from the film's infamous \"spider pit sequence\", featured in Issue #108 (1974)\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003csup id=\"cite_ref-2\" class=\"reference\" data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Famous_Monsters_of_Filmland#cite_note-2\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Famous_Monsters_of_Filmland#cite_note-2\"\u003e[2]\u003c\/a\u003e\u003c\/sup\u003e\u003csup id=\"cite_ref-3\" class=\"reference\" data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Famous_Monsters_of_Filmland#cite_note-3\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Famous_Monsters_of_Filmland#cite_note-3\"\u003e[3]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewhich, until Ackerman discovered a photo of a spider in the cavern setting, had never been proven definitively to have actually been filmed.\u003csup id=\"cite_ref-4\" class=\"reference\" data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Famous_Monsters_of_Filmland#cite_note-4\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Famous_Monsters_of_Filmland#cite_note-4\"\u003e[4]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eFM\u003c\/i\u003e's peak years were from its first issues through the late 1960s, when the disappearance of the older films from television and the decline of talent in the imaginative film industry left it with a dearth of subject matter acceptable to both editor and fan.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWarren and Ackerman created a jump in issue numbering from issue 69, which was printed in September 1970, to issue 80 in October 1970. They did this (according to the editorial in issue 80) because it brought them closer to issue 100, justifying the numerical jump because of the publishing of ten issues of the short-lived companion magazine\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eMonster World\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eas issues that \"would have been\"\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eFamous Monsters\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eissues. During the 1970s, the magazine came to rely heavily on reprints of articles from the 1960s.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn November 1974 and November 1975, New York City was host to the \"Famous Monsters Convention,\" a\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Fan_convention\" title=\"Fan convention\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Fan_convention\"\u003efan convention\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ecentered on\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eFM\u003c\/i\u003e, which featured such guests as\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Forrest_J_Ackerman\" title=\"Forrest J Ackerman\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Forrest_J_Ackerman\"\u003eForrest J Ackerman\u003c\/a\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Verne_Langdon\" title=\"Verne Langdon\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Verne_Langdon\"\u003eVerne Langdon\u003c\/a\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/James_Warren_(publisher)\" title=\"James Warren (publisher)\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/James_Warren_(publisher)\"\u003eJames Warren\u003c\/a\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Peter_Cushing\" title=\"Peter Cushing\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Peter_Cushing\"\u003ePeter Cushing\u003c\/a\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ingrid_Pitt\" title=\"Ingrid Pitt\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Ingrid_Pitt\"\u003eIngrid Pitt\u003c\/a\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Barbara_Leigh\" title=\"Barbara Leigh\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Barbara_Leigh\"\u003eBarbara Leigh\u003c\/a\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Catherine_Lorre\u0026amp;action=edit\u0026amp;redlink=1\" class=\"new\" title=\"Catherine Lorre (page does not exist)\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Catherine_Lorre\u0026amp;action=edit\u0026amp;redlink=1\"\u003eCatherine Lorre\u003c\/a\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Cal_Floyd\u0026amp;action=edit\u0026amp;redlink=1\" class=\"new\" title=\"Cal Floyd (page does not exist)\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Cal_Floyd\u0026amp;action=edit\u0026amp;redlink=1\"\u003eCal Floyd\u003c\/a\u003e, and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Sam_Sherman\" class=\"mw-redirect\" title=\"Sam Sherman\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Sam_Sherman\"\u003eSam Sherman\u003c\/a\u003e. (A similar gathering was held in 1995 in Los Angeles, with such guests as\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Maila_Nurmi\" title=\"Maila Nurmi\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Maila_Nurmi\"\u003eMaila Nurmi\u003c\/a\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ray_Harryhausen\" title=\"Ray Harryhausen\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Ray_Harryhausen\"\u003eRay Harryhausen\u003c\/a\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/John_Landis\" title=\"John Landis\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/John_Landis\"\u003eJohn Landis\u003c\/a\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Joe_Dante\" title=\"Joe Dante\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Joe_Dante\"\u003eJoe Dante\u003c\/a\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Richard_Matheson\" title=\"Richard Matheson\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Richard_Matheson\"\u003eRichard Matheson\u003c\/a\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ray_Bradbury\" title=\"Ray Bradbury\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Ray_Bradbury\"\u003eRay Bradbury\u003c\/a\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Curt_Siodmak\" title=\"Curt Siodmak\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Curt_Siodmak\"\u003eCurt Siodmak\u003c\/a\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Adam_West\" title=\"Adam West\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Adam_West\"\u003eAdam West\u003c\/a\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/John_Agar\" title=\"John Agar\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/John_Agar\"\u003eJohn Agar\u003c\/a\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Les_Tremayne\" title=\"Les Tremayne\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Les_Tremayne\"\u003eLes Tremayne\u003c\/a\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Angus_Scrimm\" title=\"Angus Scrimm\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Angus_Scrimm\"\u003eAngus Scrimm\u003c\/a\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/William_Schallert\" title=\"William Schallert\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/William_Schallert\"\u003eWilliam Schallert\u003c\/a\u003e, and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Al_Lewis_(actor)\" title=\"Al Lewis (actor)\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Al_Lewis_(actor)\"\u003eAl Lewis\u003c\/a\u003e.)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn the early 1980s, the magazine folded after Warren became ill and unable to carry on as publisher, and Ackerman resigned as editor in the face of the increasing disorganization within the leaderless Warren Publishing Company. The magazine stopped publication in 1983 after a run of 191 issues.\u003c\/p\u003e","brand":"Rumorbooks","offers":[{"title":"Default Title","offer_id":39879411368013,"sku":"","price":25.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/7882\/1709\/products\/Photo1-10-22_31219pm.jpg?v=1664605342"},{"product_id":"famous-monsters-of-filmland-yearbook-1966","title":"Famous Monsters of Filmland Yearbook 1966","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eFamous Monsters of Filmland\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewas originally conceived as a one-shot publication by Warren and Ackerman, published in the wake of the widespread success of the\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Shock_Theater\" title=\"Shock Theater\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Shock_Theater\"\u003eShock Theater\u003c\/a\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003epackage of old horror movies syndicated to American television in 1957.\u003csup id=\"cite_ref-1\" class=\"reference\" data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Famous_Monsters_of_Filmland#cite_note-1\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Famous_Monsters_of_Filmland#cite_note-1\"\u003e[1]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eBut the first issue, published in February 1958, was so successful that it required a second printing to fulfill public demand. Its future as part of American culture was immediately obvious to both men. The success prompted spinoff magazines such as\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Spacemen_(magazine)\u0026amp;action=edit\u0026amp;redlink=1\" class=\"new\" title=\"Spacemen (magazine) (page does not exist)\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Spacemen_(magazine)\u0026amp;action=edit\u0026amp;redlink=1\"\u003eSpacemen\u003c\/a\u003e\u003c\/i\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Favorite_Westerns_of_Filmland\u0026amp;action=edit\u0026amp;redlink=1\" class=\"new\" title=\"Favorite Westerns of Filmland (page does not exist)\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Favorite_Westerns_of_Filmland\u0026amp;action=edit\u0026amp;redlink=1\"\u003eFavorite Westerns of Filmland\u003c\/a\u003e\u003c\/i\u003e\/Wildest Westerns,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Screen_Thrills_Illustrated\u0026amp;action=edit\u0026amp;redlink=1\" class=\"new\" title=\"Screen Thrills Illustrated (page does not exist)\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Screen_Thrills_Illustrated\u0026amp;action=edit\u0026amp;redlink=1\"\u003eScreen Thrills Illustrated\u003c\/a\u003e\u003c\/i\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Creepy_(magazine)\" title=\"Creepy (magazine)\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Creepy_(magazine)\"\u003eCreepy\u003c\/a\u003e\u003c\/i\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Eerie\" title=\"Eerie\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Eerie\"\u003eEerie\u003c\/a\u003e\u003c\/i\u003e, and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Vampirella\" title=\"Vampirella\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Vampirella\"\u003eVampirella\u003c\/a\u003e\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eFM\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eoffered brief articles, well-illustrated with publicity stills and graphic artwork, on horror movies from the silent era to the current date of publication, their stars and filmmakers. Warren and Ackerman decided to aim the text at late pre-adolescents and young teenagers.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn the pages of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eFM\u003c\/i\u003e, Forrest J Ackerman promoted the memory of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Lon_Chaney_Sr.\" class=\"mw-redirect\" title=\"Lon Chaney Sr.\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Lon_Chaney_Sr.\"\u003eLon Chaney Sr.\u003c\/a\u003e, whose silent works were mostly beyond the accessibility of fans for most of the magazine's life, but were a great influence on his own childhood. He also introduced film fans to\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Science_fiction_fandom\" title=\"Science fiction fandom\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Science_fiction_fandom\"\u003escience fiction fandom\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ethrough direct references, first-person experiences, and adoption of fandom terms and customs. The magazine regularly published photos from\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/King_Kong_(1933_film)\" title=\"King Kong (1933 film)\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/King_Kong_(1933_film)\"\u003eKing Kong\u003c\/a\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(1933), including one from the film's infamous \"spider pit sequence\", featured in Issue #108 (1974)\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003csup id=\"cite_ref-2\" class=\"reference\" data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Famous_Monsters_of_Filmland#cite_note-2\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Famous_Monsters_of_Filmland#cite_note-2\"\u003e[2]\u003c\/a\u003e\u003c\/sup\u003e\u003csup id=\"cite_ref-3\" class=\"reference\" data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Famous_Monsters_of_Filmland#cite_note-3\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Famous_Monsters_of_Filmland#cite_note-3\"\u003e[3]\u003c\/a\u003e\u003c\/sup\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewhich, until Ackerman discovered a photo of a spider in the cavern setting, had never been proven definitively to have actually been filmed.\u003csup id=\"cite_ref-4\" class=\"reference\" data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Famous_Monsters_of_Filmland#cite_note-4\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Famous_Monsters_of_Filmland#cite_note-4\"\u003e[4]\u003c\/a\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eFM\u003c\/i\u003e's peak years were from its first issues through the late 1960s, when the disappearance of the older films from television and the decline of talent in the imaginative film industry left it with a dearth of subject matter acceptable to both editor and fan.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWarren and Ackerman created a jump in issue numbering from issue 69, which was printed in September 1970, to issue 80 in October 1970. They did this (according to the editorial in issue 80) because it brought them closer to issue 100, justifying the numerical jump because of the publishing of ten issues of the short-lived companion magazine\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eMonster World\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eas issues that \"would have been\"\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eFamous Monsters\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eissues. During the 1970s, the magazine came to rely heavily on reprints of articles from the 1960s.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn November 1974 and November 1975, New York City was host to the \"Famous Monsters Convention,\" a\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Fan_convention\" title=\"Fan convention\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Fan_convention\"\u003efan convention\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ecentered on\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eFM\u003c\/i\u003e, which featured such guests as\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Forrest_J_Ackerman\" title=\"Forrest J Ackerman\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Forrest_J_Ackerman\"\u003eForrest J Ackerman\u003c\/a\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Verne_Langdon\" title=\"Verne Langdon\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Verne_Langdon\"\u003eVerne Langdon\u003c\/a\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/James_Warren_(publisher)\" title=\"James Warren (publisher)\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/James_Warren_(publisher)\"\u003eJames Warren\u003c\/a\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Peter_Cushing\" title=\"Peter Cushing\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Peter_Cushing\"\u003ePeter Cushing\u003c\/a\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ingrid_Pitt\" title=\"Ingrid Pitt\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Ingrid_Pitt\"\u003eIngrid Pitt\u003c\/a\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Barbara_Leigh\" title=\"Barbara Leigh\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Barbara_Leigh\"\u003eBarbara Leigh\u003c\/a\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Catherine_Lorre\u0026amp;action=edit\u0026amp;redlink=1\" class=\"new\" title=\"Catherine Lorre (page does not exist)\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Catherine_Lorre\u0026amp;action=edit\u0026amp;redlink=1\"\u003eCatherine Lorre\u003c\/a\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Cal_Floyd\u0026amp;action=edit\u0026amp;redlink=1\" class=\"new\" title=\"Cal Floyd (page does not exist)\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/w\/index.php?title=Cal_Floyd\u0026amp;action=edit\u0026amp;redlink=1\"\u003eCal Floyd\u003c\/a\u003e, and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Sam_Sherman\" class=\"mw-redirect\" title=\"Sam Sherman\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Sam_Sherman\"\u003eSam Sherman\u003c\/a\u003e. (A similar gathering was held in 1995 in Los Angeles, with such guests as\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Maila_Nurmi\" title=\"Maila Nurmi\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Maila_Nurmi\"\u003eMaila Nurmi\u003c\/a\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ray_Harryhausen\" title=\"Ray Harryhausen\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Ray_Harryhausen\"\u003eRay Harryhausen\u003c\/a\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/John_Landis\" title=\"John Landis\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/John_Landis\"\u003eJohn Landis\u003c\/a\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Joe_Dante\" title=\"Joe Dante\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Joe_Dante\"\u003eJoe Dante\u003c\/a\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Richard_Matheson\" title=\"Richard Matheson\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Richard_Matheson\"\u003eRichard Matheson\u003c\/a\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Ray_Bradbury\" title=\"Ray Bradbury\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Ray_Bradbury\"\u003eRay Bradbury\u003c\/a\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Curt_Siodmak\" title=\"Curt Siodmak\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Curt_Siodmak\"\u003eCurt Siodmak\u003c\/a\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Adam_West\" title=\"Adam West\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Adam_West\"\u003eAdam West\u003c\/a\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/John_Agar\" title=\"John Agar\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/John_Agar\"\u003eJohn Agar\u003c\/a\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Les_Tremayne\" title=\"Les Tremayne\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Les_Tremayne\"\u003eLes Tremayne\u003c\/a\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Angus_Scrimm\" title=\"Angus Scrimm\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Angus_Scrimm\"\u003eAngus Scrimm\u003c\/a\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/William_Schallert\" title=\"William Schallert\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/William_Schallert\"\u003eWilliam Schallert\u003c\/a\u003e, and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Al_Lewis_(actor)\" title=\"Al Lewis (actor)\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/en.wikipedia.org\/wiki\/Al_Lewis_(actor)\"\u003eAl Lewis\u003c\/a\u003e.)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn the early 1980s, the magazine folded after Warren became ill and unable to carry on as publisher, and Ackerman resigned as editor in the face of the increasing disorganization within the leaderless Warren Publishing Company. The magazine stopped publication in 1983 after a run of 191 issues.\u003c\/p\u003e","brand":"Rumorbooks","offers":[{"title":"Default Title","offer_id":39879421886541,"sku":"","price":42.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/7882\/1709\/products\/Photo1-10-22_31349pm.jpg?v=1664605597"},{"product_id":"famous-monsters-158","title":"Famous Monsters 158","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFamous Monsters #158 Special 1980 Annual Featuring an Exclusive Interview with H.R. Giger the Great Artist Who Created Alien! Plus Latest Alien Update - Now Scaring America!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eFamous Monsters of Filmland\u003c\/b\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis an American\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003egenre-specific\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003efilm magazine, started in 1958 by publisher\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eJames Warren\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand editor\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eForrest J Ackerman.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eFamous Monsters of Filmland\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003edirectly inspired the creation of many other similar publications, including\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eCastle of Frankenstein\u003c\/i\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eCinefantastique\u003c\/i\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eFangoria\u003c\/i\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Monster Times\u003c\/i\u003e, and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eVideo Watchdog\u003c\/i\u003e. In addition, hundreds, if not thousands, of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eFM\u003c\/i\u003e-influenced horror, fantasy and science fiction film-related\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003efanzines\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ehave been produced, some of which have continued to publish for decades, such as\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eMidnight Marquee\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eLittle Shoppe of Horrors\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eStandout fonts amongst the classic graphic design of the era.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Rumorbooks","offers":[{"title":"Default Title","offer_id":39891899088973,"sku":"","price":25.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/7882\/1709\/products\/Photo7-10-22_121140pm.jpg?v=1665109294"},{"product_id":"famous-monsters-136","title":"Famous Monsters 136","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp\u003eFeatures include Close Encounters Of The Third Kind, Sinbad and The Eye Of The Tiger, Sinbad Cover\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eFamous Monsters of Filmland\u003c\/b\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis an American\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003egenre-specific\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003efilm magazine, started in 1958 by publisher\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eJames Warren\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand editor\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eForrest J Ackerman.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eFamous Monsters of Filmland\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003edirectly inspired the creation of many other similar publications, including\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eCastle of Frankenstein\u003c\/i\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eCinefantastique\u003c\/i\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eFangoria\u003c\/i\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Monster Times\u003c\/i\u003e, and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eVideo Watchdog\u003c\/i\u003e. In addition, hundreds, if not thousands, of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eFM\u003c\/i\u003e-influenced horror, fantasy and science fiction film-related\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003efanzines\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ehave been produced, some of which have continued to publish for decades, such as\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eMidnight Marquee\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eLittle Shoppe of Horrors\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eStandout fonts amongst the classic graphic design of the era.\u003c\/p\u003e","brand":"Rumorbooks","offers":[{"title":"Default Title","offer_id":39891914686541,"sku":"","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/7882\/1709\/products\/Photo7-10-22_121324pm.jpg?v=1665109474"},{"product_id":"famous-monsters-161","title":"Famous Monsters 161","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFeatures include Star Trek \u0026amp; Black Hole\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eFamous Monsters of Filmland\u003c\/b\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis an American\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003egenre-specific\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003efilm magazine, started in 1958 by publisher\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eJames Warren\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand editor\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eForrest J Ackerman.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eFamous Monsters of Filmland\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003edirectly inspired the creation of many other similar publications, including\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eCastle of Frankenstein\u003c\/i\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eCinefantastique\u003c\/i\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eFangoria\u003c\/i\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Monster Times\u003c\/i\u003e, and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eVideo Watchdog\u003c\/i\u003e. In addition, hundreds, if not thousands, of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eFM\u003c\/i\u003e-influenced horror, fantasy and science fiction film-related\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003efanzines\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ehave been produced, some of which have continued to publish for decades, such as\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eMidnight Marquee\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eLittle Shoppe of Horrors\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eStandout fonts amongst the classic graphic design of the era.\u003c\/p\u003e","brand":"Rumorbooks","offers":[{"title":"Default Title","offer_id":39891940409421,"sku":"","price":25.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/7882\/1709\/products\/Photo7-10-22_121417pm.jpg?v=1665109760"},{"product_id":"monster-world-10","title":"Monster World 10","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMonster World 1-10 has the same editorial staff as Famous Monsters of Filmland, and the magazine's brief run is essentially considered to be issues 70-79 of Famous Monsters. Beginning with issue #80, Famous Monsters went back to its original name. Features in Monster World #1 include: an intro to the \"new\" magazine by publisher James Warren; a comic book reprint of The Mummy (by Russ Jones and Wally Wood); filmbook The Black Sleep; \"Terror Talk\" by Bill Obbagy; and more. The Chaney Wolfman cover painting is by an unknown artist.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eStandout fonts amongst the classic graphic design of the era.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA page has a quarter of the page cut out. See pics.\u003c\/p\u003e","brand":"Rumorbooks","offers":[{"title":"Default Title","offer_id":39891941097549,"sku":"","price":15.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/7882\/1709\/products\/Photo7-10-22_121632pm.jpg?v=1665110000"},{"product_id":"monster-world-5","title":"Monster World 5","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMonster World 1-10 has the same editorial staff as Famous Monsters of Filmland, and the magazine's brief run is essentially considered to be issues 70-79 of Famous Monsters. Beginning with issue #80, Famous Monsters went back to its original name. Features in Monster World #1 include: an intro to the \"new\" magazine by publisher James Warren; a comic book reprint of The Mummy (by Russ Jones and Wally Wood); filmbook The Black Sleep; \"Terror Talk\" by Bill Obbagy; and more. The Chaney Wolfman cover painting is by an unknown artist.\u003c\/span\u003e","brand":"Rumorbooks","offers":[{"title":"Default Title","offer_id":39891941163085,"sku":"","price":25.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/7882\/1709\/products\/Photo7-10-22_121703pm.jpg?v=1665110101"},{"product_id":"monster-world-4","title":"Monster World 4","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMonster World 1-10 has the same editorial staff as Famous Monsters of Filmland, and the magazine's brief run is essentially considered to be issues 70-79 of Famous Monsters. Beginning with issue #80, Famous Monsters went back to its original name.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Rumorbooks","offers":[{"title":"Default Title","offer_id":39891947978829,"sku":"","price":25.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/7882\/1709\/products\/Photo7-10-22_121752pm.jpg?v=1665110184"},{"product_id":"famous-monsters-of-filmland-163-friday-the-13th","title":"Famous Monsters of Filmland 163 - Friday The 13th","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFriday The 13th \u0026amp; John Carpenters 'The Fog' special features\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIssue has some wear to the cover. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"Famous Monsters of Filmland\" is a renowned magazine that focuses on horror, science fiction, and fantasy films. First published in 1958 by Forrest J Ackerman, the publication quickly gained a dedicated following and became a significant influence on the genre.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe magazine's primary objective is to celebrate classic and contemporary monsters and the movies that feature them. It offers readers in-depth articles, interviews, reviews, and behind-the-scenes glimpses into the world of horror cinema. Each issue showcases stunning artwork, rare photographs, and exclusive content related to iconic creatures like Dracula, Frankenstein, Godzilla, and other beloved monsters.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"Famous Monsters of Filmland\" has played a pivotal role in the appreciation and preservation of the horror genre. It has provided a platform for fans and professionals alike to share their passion, contributing to the growth of a vibrant and dedicated community. The magazine has also influenced many filmmakers and special effects artists, inspiring them to create memorable creatures and atmospheric worlds.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOver the years, \"Famous Monsters of Filmland\" has evolved with the changing landscape of film and entertainment. While still paying homage to classic horror, it also embraces modern releases, cult films, and emerging talent. Its enduring popularity and longevity have made it a trusted source of information and entertainment for fans of all ages, solidifying its status as a revered institution within the horror and science fiction genres.\u003c\/p\u003e","brand":"Rumorbooks","offers":[{"title":"Default Title","offer_id":40104238743629,"sku":"","price":25.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/7882\/1709\/files\/Photo12-6-2023_31457pm.jpg?v=1686548002"},{"product_id":"fangoria-309","title":"Fangoria 309","description":"\u003cp\u003eThis 2011 issue of \u003cem\u003eFangoria\u003c\/em\u003e spotlights the best in contemporary and classic horror cinema, combining exclusive set reports, filmmaker interviews, retrospectives, and reviews from across the genre. Featured productions include \u003cem\u003eThe Innkeepers\u003c\/em\u003e, \u003cem\u003eThe Human Centipede II\u003c\/em\u003e, \u003cem\u003eThe Devil's Mile\u003c\/em\u003e, \u003cem\u003eExit Humanity\u003c\/em\u003e, \u003cem\u003eThe Corridor\u003c\/em\u003e, \u003cem\u003eThe Theatre Bizarre\u003c\/em\u003e, \u003cem\u003eThe Darkest Hour\u003c\/em\u003e, and \u003cem\u003eRemains\u003c\/em\u003e, offering an in-depth look at the filmmakers, casts, and practical effects behind the latest wave of horror releases.\u003c\/p\u003e\n\u003cp\u003eThe issue also celebrates horror's rich history with interviews featuring legendary director David Cronenberg, producer Don Carmody, actors Martine Beswick, Art Hindle and Barbara Anne Constable, director Peter Sasdy, and filmmaker Scott Spiegel. Additional articles revisit cult favourites including \u003cem\u003eFeardotCom\u003c\/em\u003e, explore Joe Dante's \u003cem\u003eTwilight Zone\u003c\/em\u003e episode \u003cem\u003eThe Shadow Man\u003c\/em\u003e, and examine the preservation of Canadian horror through interviews with archivists and genre historians.\u003c\/p\u003e\n\u003cp\u003eRounding out the magazine are Blu-ray and book reviews, soundtrack coverage, convention reports, previews of upcoming horror films, and Fangoria's regular columns, making this a packed issue for fans of horror cinema, cult filmmaking, and genre history.\u003c\/p\u003e","brand":"Rumorbooks","offers":[{"title":"Default Title","offer_id":43141998870605,"sku":null,"price":20.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/7882\/1709\/files\/IMG_0116_aa9af7d2-2af0-4bdf-9d25-883db97d8740.jpg?v=1781855375"},{"product_id":"screem-37","title":"SCREEM #37","description":"\u003cp\u003e\u003cspan\u003eIssue 37 of \u003c\/span\u003e\u003cspan\u003eScreem\u003c\/span\u003e\u003cspan\u003e dives into classic horror cinema, cult filmmakers and the people behind some of the genre's most enduring films. Leading the issue is a major feature on George A. Romero's \u003c\/span\u003e\u003cspan\u003eDawn of the Dead\u003c\/span\u003e\u003cspan\u003e, exploring its Blu-ray release, alongside coverage of Boris Karloff and Bela Lugosi in \u003c\/span\u003e\u003cspan\u003eThe Grave of the Vampire\u003c\/span\u003e\u003cspan\u003e. Other features include a look back at the legendary Seven Golden Vampires, an interview with horror filmmaker Pete Walker, and a conversation with writer and director Larry Cohen. The issue also includes a tribute to Dick Miller, Blu-ray and DVD reviews, and articles examining the history and legacy of cult horror productions. A solid dose of classic horror, exploitation cinema and behind-the-scenes genre history.\u003c\/span\u003e\u003c\/p\u003e","brand":"Rumorbooks","offers":[{"title":"Default Title","offer_id":67926632857677,"sku":null,"price":20.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/7882\/1709\/files\/IMG_3689_cf07bb97-0b6a-4a3c-9b40-2e79fb1d2bbe.jpg?v=1794203918"},{"product_id":"screem-37-copy","title":"Fantasm Presents #1: George A. Romero - The Official Magazine","description":"\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eA tribute to legendary horror filmmaker George A. Romero, celebrating the director's life, career and enormous contribution to zombie cinema. 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