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Across the mag, there’s a wide spread of artwork from Australia’s finest tattooers, leaning into the bold, colourful Downunder style that defined the late ’90s and early 2000s scene.\u003cbr\u003e\u003c\/p\u003e","brand":"Rumorbooks","offers":[{"title":"Default Title","offer_id":42440712749133,"sku":null,"price":10.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/7882\/1709\/files\/IMG_2215_973602fd-37da-42c9-ba0e-ae3f2de11f50.jpg?v=1763524157"},{"product_id":"downunder-tattoo-art-16","title":"Downunder Tattoo Art 16","description":"\u003cp data-start=\"0\" data-end=\"608\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eThis issue of \u003cem data-start=\"14\" data-end=\"36\"\u003eDownunder Tattoo Art\u003c\/em\u003e is another straight-up hit of Australian tattoo culture, opening with \u003cstrong data-start=\"107\" data-end=\"129\"\u003eFeelgood Tattoo Co\u003c\/strong\u003e as the guest artist feature — a full showcase of their latest work, studio flavour and portfolio highlights. The mag then moves into coverage of the \u003cstrong data-start=\"279\" data-end=\"309\"\u003eVictorian PTAA Tattoo Show\u003c\/strong\u003e, packed with competition pieces, event photography and work from shops across the state. The \u003cstrong data-start=\"403\" data-end=\"416\"\u003eNew Flash\u003c\/strong\u003e section delivers a batch of fresh Aussie-designed flash sheets, followed by a look at the \u003cstrong data-start=\"507\" data-end=\"532\"\u003eComedy Tattoo Show 07\u003c\/strong\u003e, a lighter, crowd-driven event mixing jokes, odd pieces and playful on-skin experiments. The issue wraps with \u003cstrong data-start=\"643\" data-end=\"656\"\u003eWhat’s On\u003c\/strong\u003e, listing upcoming conventions, shop happenings and national events, alongside pages and pages of artwork from some of Australia’s best-known tattooers.\u003cbr\u003e\u003c\/p\u003e","brand":"Rumorbooks","offers":[{"title":"Default Title","offer_id":42440718745677,"sku":null,"price":10.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/7882\/1709\/files\/IMG_2222_4a1b563b-3c78-4603-a915-66eb40f7c23f.jpg?v=1763524795"},{"product_id":"tattoo-flash-38","title":"Tattoo Flash 38","description":"\u003cp data-start=\"0\" data-end=\"608\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eThis \u003cem data-start=\"5\" data-end=\"19\"\u003eTattoo Flash\u003c\/em\u003e–style issue is built as a three-gallery “museum” of skin art, packed with themed exhibit halls and anchored by three featured artists. \u003cstrong data-start=\"155\" data-end=\"173\"\u003eJames Clements\u003c\/strong\u003e opens the issue with bright, character-driven new-school work; \u003cstrong data-start=\"237\" data-end=\"250\"\u003eSean Wood\u003c\/strong\u003e follows with moodier, emotional pieces; and \u003cstrong data-start=\"295\" data-end=\"315\"\u003eMike Pucciarelli\u003c\/strong\u003e closes the artist section with his blend of cyber-strength and traditionalism. The exhibit halls expand the visual range: \u003cstrong data-start=\"438\" data-end=\"456\"\u003eExhibit Hall A\u003c\/strong\u003e explores sleek, futuristic designs; \u003cstrong data-start=\"493\" data-end=\"511\"\u003eExhibit Hall B\u003c\/strong\u003e dives into eerie, supernatural imagery; and \u003cstrong data-start=\"556\" data-end=\"574\"\u003eExhibit Hall C\u003c\/strong\u003e runs a spread of carnival-style kitsch and oddities. Departments include the usual \u003cstrong data-start=\"658\" data-end=\"676\"\u003eMail Mezzanine\u003c\/strong\u003e, a broad \u003cstrong data-start=\"686\" data-end=\"703\"\u003eFlash Gallery\u003c\/strong\u003e, an \u003cstrong data-start=\"708\" data-end=\"729\"\u003eArtists Directory\u003c\/strong\u003e and \u003cstrong data-start=\"734\" data-end=\"748\"\u003eFuture Ink\u003c\/strong\u003e, all framed in the magazine’s signature museum-curator voice. 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The regular departments fill out the rest of the issue — \u003cstrong data-start=\"925\" data-end=\"943\"\u003eTattoo Mailbox\u003c\/strong\u003e, \u003cstrong data-start=\"945\" data-end=\"961\"\u003eSlinging Ink\u003c\/strong\u003e, \u003cstrong data-start=\"963\" data-end=\"978\"\u003eIn the Skin\u003c\/strong\u003e, \u003cstrong data-start=\"980\" data-end=\"989\"\u003eFlash\u003c\/strong\u003e, \u003cstrong data-start=\"991\" data-end=\"1009\"\u003eBusiness Cards\u003c\/strong\u003e, \u003cstrong data-start=\"1011\" data-end=\"1022\"\u003eFiction\u003c\/strong\u003e, \u003cstrong data-start=\"1024\" data-end=\"1040\"\u003eTattoo Times\u003c\/strong\u003e and \u003cstrong data-start=\"1045\" data-end=\"1060\"\u003ePushing Ink\u003c\/strong\u003e — maintaining the magazine’s monthly rhythm of reader voices, flash references and behind-the-shop stories. 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The main spread kicks off with the \u003cstrong data-start=\"243\" data-end=\"267\"\u003eQueensland PTAA Show\u003c\/strong\u003e at the Jubilee Hotel — big turnout, heavy competition pieces and the usual rowdy atmosphere. It’s followed by the \u003cstrong data-start=\"382\" data-end=\"401\"\u003eRockingham Show\u003c\/strong\u003e, covered by Nikki between heroic sessions at the bar, and a broad \u003cstrong data-start=\"468\" data-end=\"488\"\u003eArtist’s Gallery\u003c\/strong\u003e section showcasing standout work from studios across the country. The \u003cstrong data-start=\"559\" data-end=\"576\"\u003eBrisbane Show\u003c\/strong\u003e from Odin’s Warriors adds another pile of award-winning work, including an Artist’s Award tallying the night’s total wins.\u003c\/p\u003e\n\u003cp data-start=\"701\" data-end=\"1191\"\u003eRegular departments run throughout: \u003cstrong data-start=\"737\" data-end=\"752\"\u003eTattoo Newz\u003c\/strong\u003e, \u003cstrong data-start=\"754\" data-end=\"765\"\u003eLetters\u003c\/strong\u003e, \u003cstrong data-start=\"767\" data-end=\"787\"\u003eJason’s Web Page\u003c\/strong\u003e, \u003cstrong data-start=\"789\" data-end=\"814\"\u003ePete’s Tattoo History\u003c\/strong\u003e, \u003cstrong data-start=\"816\" data-end=\"827\"\u003eMr West\u003c\/strong\u003e, \u003cstrong data-start=\"829\" data-end=\"838\"\u003eJokes\u003c\/strong\u003e, \u003cstrong data-start=\"840\" data-end=\"866\"\u003eAdvertiser’s Directory\u003c\/strong\u003e, and \u003cstrong data-start=\"872\" data-end=\"896\"\u003ePete’s Page \u0026amp; Events\u003c\/strong\u003e, all wrapped in the magazine’s casual, community-driven tone. The cover features a Rembrandt action shot from Taupo — his last before retirement — with a call-out for a new Kiwi contributor. Across the issue: loads of photos, loads of personality, and tons of tattoo work from around Australia.\u003c\/p\u003e","brand":"Rumorbooks","offers":[{"title":"Default Title","offer_id":42440735653965,"sku":null,"price":8.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/7882\/1709\/files\/IMG_2243.jpg?v=1763526062"},{"product_id":"tattoo-world","title":"Tattoo World 3","description":"\u003cp data-start=\"0\" data-end=\"699\"\u003e\u003cmeta charset=\"utf-8\"\u003eTattoo World Vol. 1 No. 3 reads like a proper global tattoo history zine, mixing classic flash, old masters and odd archival finds. The issue opens with editorial notes and a call for reader submissions before diving into \u003cstrong data-start=\"222\" data-end=\"241\"\u003eThe Rose Tattoo\u003c\/strong\u003e and \u003cstrong data-start=\"246\" data-end=\"284\"\u003eGood Things Come in Small Packages\u003c\/strong\u003e, both looking at iconic small-scale designs and how much meaning they can carry. A big chunk is devoted to \u003cstrong data-start=\"392\" data-end=\"432\"\u003eTattoo Peter: A Classic Dutch Master\u003c\/strong\u003e and a follow-up on \u003cstrong data-start=\"452\" data-end=\"487\"\u003eTattoo Machines by Tattoo Peter\u003c\/strong\u003e, framing him as a key European figure in both imagery and hardware. There’s a feature on \u003cstrong data-start=\"577\" data-end=\"591\"\u003eJack Irons\u003c\/strong\u003e, a \u003cstrong data-start=\"595\" data-end=\"628\"\u003eBusiness Card Dossier: Brazil\u003c\/strong\u003e highlighting shops and artists from South America, plus pieces like \u003cstrong data-start=\"697\" data-end=\"723\"\u003eWhat’s On a Man’s Mind\u003c\/strong\u003e, \u003cstrong data-start=\"725\" data-end=\"755\"\u003eEthnographic Illustrations\u003c\/strong\u003e and \u003cstrong data-start=\"760\" data-end=\"787\"\u003eAtomic Ladies: Part Two\u003c\/strong\u003e, weaving in pin-up, anthropology and vintage illustration influences. Flash sections from \u003cstrong data-start=\"878\" data-end=\"893\"\u003eTattoo Jack\u003c\/strong\u003e, \u003cstrong data-start=\"895\" data-end=\"908\"\u003eBill Ward\u003c\/strong\u003e and \u003cstrong data-start=\"913\" data-end=\"923\"\u003eStoney\u003c\/strong\u003e sit alongside \u003cstrong data-start=\"938\" data-end=\"974\"\u003eShady Tattoo Men (\u0026amp; Three Women)\u003c\/strong\u003e, an \u003cstrong data-start=\"979\" data-end=\"1006\"\u003eInterview with Horiwaka\u003c\/strong\u003e, and a photo of sideshow legend \u003cstrong data-start=\"1039\" data-end=\"1061\"\u003eCaptain Don Leslie\u003c\/strong\u003e, tying tattoo history, culture and ephemera together in one dense, archival-feeling issue.\u003c\/p\u003e","brand":"Rumorbooks","offers":[{"title":"Default Title","offer_id":42440737062989,"sku":null,"price":10.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/7882\/1709\/files\/IMG_2252_60cafeac-85c5-4870-9cb1-18f6d9d4f3da.jpg?v=1763526173"},{"product_id":"fuel-8","title":"Fuel #8","description":"\u003cp data-start=\"0\" data-end=\"563\"\u003eThis issue blends traditional hot-rod craft, sharp photography, and culture-driven storytelling, opening with \u003cstrong data-start=\"147\" data-end=\"161\" data-is-only-node=\"\"\u003eFuel Speak\u003c\/strong\u003e and a set of \u003cstrong data-start=\"175\" data-end=\"198\"\u003eContributor Columns\u003c\/strong\u003e before dropping into \u003cstrong data-start=\"220\" data-end=\"229\"\u003eE-Max\u003c\/strong\u003e and the muscular \u003cstrong data-start=\"247\" data-end=\"270\"\u003eHotchkis Challenger\u003c\/strong\u003e. The first \u003cstrong data-start=\"282\" data-end=\"295\"\u003eFuel Girl\u003c\/strong\u003e feature spotlights \u003cem data-start=\"315\" data-end=\"324\"\u003eEl Wood\u003c\/em\u003e, photographed by Shane McCauley, followed by \u003cstrong data-start=\"370\" data-end=\"414\"\u003eChristian Garcia’s 1931 A-Model Roadster\u003c\/strong\u003e. 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The back stretch features \u003cstrong data-start=\"795\" data-end=\"839\"\u003eCoby Gewertz’ 1963 Ford Econoline Van Go\u003c\/strong\u003e, event coverage of \u003cstrong data-start=\"859\" data-end=\"877\"\u003eViva Las Vegas\u003c\/strong\u003e, and closes with an artist profile on photographer \u003cstrong data-start=\"929\" data-end=\"946\"\u003ePeter Vincent\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"951\" data-end=\"1042\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eA clean, traditional, beautifully shot slice of Fuel—machines, makers, art, and atmosphere.\u003c\/p\u003e","brand":"Rumorbooks","offers":[{"title":"Default Title","offer_id":42492354003021,"sku":null,"price":15.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0551\/7882\/1709\/files\/IMG_3378_c404a782-1075-4d4a-9730-a84f545f761f.jpg?v=1765082565"},{"product_id":"fuel-16","title":"Fuel #16","description":"\u003cp\u003eThis issue fires through a diverse mix of hot rods, customs, culture deep-dives, and character-driven stories, opening with \u003cstrong\u003eValue Vulture\u003c\/strong\u003e before rolling into a full \u003cstrong\u003eEl Camino history\u003c\/strong\u003e spread. The tone gets louder with \u003cstrong\u003eGrind Daddy Grind\u003c\/strong\u003e and the neon-soaked \u003cstrong\u003eStarlight Express\u003c\/strong\u003e, then drifts into the travel-heavy atmosphere of \u003cstrong\u003eThe Moon Diaries\u003c\/strong\u003e. Midway comes the \u003cstrong\u003eBeelong Revival\u003c\/strong\u003e, a clean look at a \u003cstrong\u003eBedford Pickup\u003c\/strong\u003e, and drag-racing legends in \u003cstrong\u003eSnake \u0026amp; Mongoose\u003c\/strong\u003e, followed by a spotlight on \u003cstrong\u003eDeadend Magazine\u003c\/strong\u003e. The back end features a \u003cstrong\u003e1928 Tudor Hot Rod\u003c\/strong\u003e, the brutalist edges of \u003cstrong\u003eDevalxted\u003c\/strong\u003e, the photography-rich \u003cstrong\u003eCustom Heavy\u003c\/strong\u003e, and the inventive, personal touch of \u003cstrong\u003eThe Zippel Effect\u003c\/strong\u003e. 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It opens with the \u003cem data-start=\"248\" data-end=\"267\"\u003eAutogros Corvette\u003c\/em\u003e and the \u003cem data-start=\"276\" data-end=\"297\"\u003eZocchi Dodge Piston\u003c\/em\u003e, then slips into the hypnotic visuals of \u003cem data-start=\"339\" data-end=\"358\"\u003eHolographic Hanne\u003c\/em\u003e. The middle stretch features heavy metal classics like \u003cem data-start=\"414\" data-end=\"432\"\u003eThe Metros Coupe\u003c\/em\u003e, \u003cem data-start=\"434\" data-end=\"456\"\u003eProject Nine One One\u003c\/em\u003e, the hand-built \u003cem data-start=\"473\" data-end=\"489\"\u003eOrosco Special\u003c\/em\u003e, and the travel-logged storytelling of \u003cem data-start=\"529\" data-end=\"547\"\u003eThe Moon Diaries\u003c\/em\u003e. Two-wheel culture gets its shine with a \u003cem data-start=\"589\" data-end=\"607\"\u003ePre-Unit Triumph\u003c\/em\u003e and the wild energy of \u003cem data-start=\"631\" data-end=\"649\"\u003eThe Flying Cirns\u003c\/em\u003e. The back end brings in standout customs including \u003cem data-start=\"701\" data-end=\"724\"\u003ePavel Islyamov Nearin\u003c\/em\u003e, a brutalist \u003cem data-start=\"738\" data-end=\"760\"\u003eBuick Riviera Custom\u003c\/em\u003e, the \u003cem data-start=\"766\" data-end=\"782\"\u003eKos Custom Van\u003c\/em\u003e, and a final punch with the \u003cem data-start=\"811\" data-end=\"825\"\u003eShelby Cobra\u003c\/em\u003e. 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