Epstzine is a print zine in which every page is fully redacted. Headlines are blacked out. Interviews are blacked out. Photo captions are blacked out. Even the table of contents is reduced to thick bars of ink.
The work mimics the visual language of government document dumps tied to the handling of the Jeffrey Epstein files, but pushes it to an absurd extreme: total opacity. By removing all readable content, the zine transforms absence into the message. The reader confronts the architecture of disclosure without disclosure itself.
Rather than repeating allegations or retraumatizing victims, the project focuses on process. The black ink becomes the protagonist. Each page functions as a monument to omission, delay, and institutional self-protection.
